The size is continental 6" x 4", postally unused and unmarked, published by IZOGIZ, showing their logo in the upper left-hand corner on the verso. Circulation 300,000. The artist's name, A. Gorpenko, is printed in the lower left-hand corner on the verso.

In very good to excellent condition. The obverse is pristine; the verso shows a few wrinkles, not easy to notice and absolutely invisible on the obverse.

The artwork is an offset print of a poster based on the famous eponymous sculpture by Evgeniy Vuchetich (Евгений Ви

The size is continental 6" x 4", postally unused and unmarked, published by IZOGIZ, showing their logo in the upper left-hand corner on the verso. Circulation 300,000. The artist's name, A. Gorpenko, is printed in the lower left-hand corner on the verso.

In very good to excellent condition. The obverse is pristine; the verso shows a few wrinkles, not easy to notice and absolutely invisible on the obverse.

The artwork is an offset print of a poster based on the famous eponymous sculpture by Evgeniy Vuchetich (Евгений Викторович Вучетич, 1908 - 1974), a renowned Soviet sculptor and artist famous world-wide for his heroic monuments, such as The Motherland Calls in Volgograd commemorating the Battle of Stalingrad, Warrior-Liberator in Treptow Park, Berlin, or this allegoric monument, Let's Beat the Swords into Ploughshares, perhaps less widely known as the first two, gifted by the Soviet government to the UN and erected in the garden of its HQ in New York. The phrase was taken from Isaiah 2:4, which describes Mashiach's coming, rejection of animosity and violence, and peace which would then reign in the world.
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